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| Lady and the Bird |
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| Dancing Girl |
Indian
Art in Paintings
The India art tradition visualises the love
adventures of gods and their female friends because it acknowledges
that sex is the supreme fact in life, which provides the urge to
procreate and maintain the species. It is concealed like lightning
in a cloud, and in its glow is the birth of art, literature and
science. Sex union among lovers is the most exalted experience in
life, and in mutual ecstasy the liberation of the soul from the
narrow 'self' takes place.
This
is the supreme experience of lovers as well as mystics. That is why
in describing the union of God and soul, the extremely beautiful imagery
of man and woman is employed by mystic saints and artists.
Thus we see that the classification of love
into 'carnal' and 'spiritual' is arbitrary and unwarranted for the
so called 'spiritual' love has its roots in the so called 'physical'
love. This art thus sanctifies human love and places it on a par
with divine love. In it we find sacredness wedded to sensuous joy.
It is not a spiritual art where spirit and body
are regarded as two separate entities. It is not gloomy, cold and
forbidding, but is an art which is a happy blend of the sensuous
and the spiritual. The spirituality is not chilled by an asceticism
which is disdainful of female loveliness and the delights of love.
In fact, its spirituality very much based on flesh and blood. It
is an art which glorifies female beauty and revels in the loveliness
of the female form.
The knitting together of form and color into
a coordinated harmony is the hallmark of this art. Form and color
are so blended that the effect is musical. To achieve such a harmony,
the artist uses both line and color in these paintings. The line
which he uses is the musical rhythmical line, which express both
movement and mass, representing the flow and ardor of impassioned
love.
The type of line which Blake admired, and regarded
as the golden rule of art is this: " The more distinct, sharp, and
wiry the bounding line, the more perfect the work of art, and the
less keen and sharp, the greater is evidence of weak imagination."
And what a rhythm these dancing lines create, a pure limpid harmony!
That is why these pictures are so comforting and so soothing like
the concertos of Bach and Mozart. This line is effectively supplemented
by colors-the blues, yellows, greens, and reds, the pure colors
of earth and minerals, which shine like jewels.
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